Bubbles
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Mitzi's off on a five-day excursion (a perfectly usable word, needlessly sullied by our moronic monarch) to Maine. I took her to the place where they were meeting the bus at 7:00 a.m. this morning. After that, I texted our builder to see...
In a city of filtered noise, a website turns every active NYC subway train into a note — and asks what we lose when we stop listening.
The latest release from London collective Beauty & The Beat shines a spotlight on the music of Sao Luis, in Maranhao, Brazil, and the local trio, Loopcinico. Four tracks have been revived from the group’s 2013 album, and are now...
In the further adventures of home renovation, the back deck has been laid and now the roofing is being put up, for shade and to keep rain off the deck. It’s looking.. pretty good! There’s more to be done, obviously. But it’s coming along...
Perfume PosseMaybe That’s My Jam To quote that famous line from Alfred, Lord Tennyson, “in the Spring a young man’s fancy lightly turns to thoughts of love.” As a not so young woman, my thoughts of love are currently directed at my...
For those of you who read Carolyn Hax through the Comics Aggregator, note that the Carolyn Hax live chat for Friday, May 8 was missing from the aggregator because the Post published it with the wrong date (May 15 instead of May 8). This...
Another victim of enshittification - Avenza Maps Read More ... Continue reading Avenza: Enshittified. Sigh. at PMags.com.
My Google account is heaven@gmail (long story), so I get a steady trickle of emails from people writing to God. Some of them are real winners.
It was a short work week thanks to the bank holiday on Monday. I spent a few hours on Monday typesetting various pieces of music; I feel like I understand Lilypond better and better.
When trying to use any Kubernetes CRD (or even core types) I am pretty much always pulling up a reference doc of some sort to see what fields are available and what they do. However, I have pretty much always found the options for this...
AI writing reminds me of Tennyson’s description of the beautiful Maud in the titular poem: Faultily faultless, icily regular, splendidly nullDead perfection; no more adactio.com/links/22565