Bubbles
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With Obsidian instructions for seeing today’s schedule in your daily note I can still scarcely believe that what was supposed to be a 2-week experiment turned into a sustainable, calm-inducing way to keep up with all the time-specific...
Wonderful words by the ever erudite Adam Turner. The new 6-track Coyote album, The Higher The Sky, The Deeper The Ocean, landed recently, almost a year after its predecessor, Wailing To The Yellow Dawn. These two long-players follow a...
Well, it's the day before the Instructure "pay or leak" deadline (at least by my Aussie watch), and the company remains removed from the ShinyHunters website. In its place sits a press statement that amounts to "we're not making any...
I was compelled to install the confusingly-named, generic-sounding, un-hyphenated Shop application on my mobile telephonic device recently, for specific reasons that are beyond the scope of this post. It’s also beyond the scope of the...
What do you mean, it’s intentionally like that?
There is a pattern to how Apple makes its most interesting bets. It finds a hard physical constraint, something that looks like an immovable wall, and decides that software is the answer. It happened with the camera. It is happening...
Alliums ahoy! Some striking white ones in the Orchard in Grantchester on Friday afternoon. Quote of the Day “Computers are useless. They can only give you answers.” Picasso Musical alternative to the morning’s radio news Louis Armstrong...
In no particular order, some photos I took at the book fair with my Camp Snap. Looking down at the second level of this huge building from the third level. It's part of the ArtCenter College of Design in Pasadena. Sad this one is so...
I realised something recently: I rarely write fractions in my daily life. I might divvy up a pizza with friends, cut up pieces of round birthday cake, or refer to times as “quarter past five” instead of 17:15 in speech. But I somehow...
With seven days to go, thanks to generosity of 132 donors, we have raised £14,081 towards our target of £25,000 to publish Women at Work, Sarah Ainslie’s East End Portraits 1992-2025. If you have not contributed please consider doing so...